The Judgment of Venus and David by Natalie McNabb
His whisper — “This is strange.” — is so ardent that I believe him, and hers —
“Yes.”
— is the same.
“We just grew apart.” — Cliché, but the only explanation available to him —
She nods.
— or her. Neither, though, realizes their error. Their exchange proves otherwise. But for their intimacy, they could never let each other go as if nothing —
“It’s the only way I can…”
— and yet everything —
“…be happy?”
— depended upon it. Their last sentence falls like a butterfly fading on wind, fluttering once more before it falls and fractures, its pieces tumbling across the earth, finding their own ends.
Amidst what would otherwise be tragedy, the couple exudes the ess, the artist’s curved line and point where motion changes direction, redefines itself, traps the eye. It is in the way they step about one another and choose their words, always mindful.
The judge calls them forward — “Do you swear to tell the truth…” — with me, and I express their wishes. The judge asks questions he’s asked of so many before, but he pauses, looks over his glasses as if I could’ve saved them, spared him. He signs the documents, declares them divorced.
The next pair is called.
We exit.
Before the doors behind me have even closed they’ve each shaken my hand and walked away.
She drinks from the fountain nearby.
He’s out the revolving door.
Air wafts up from behind me, moves around and past, and the new silence tells me the door is now closed. Tomorrow I think I’ll drive that meandering road, find a spot along the river near the barn with the falling spine where, fly rod in hand, I will wade out to cast about in quiet waters and try to understand this Venus, this David.
Natalie McNabb lives and writes in Washington State where her dog, Skookum, and cat, Mo, can usually be found beneath the trees of her Eden with a squirrel tail, an exhumed mole or an up-flung mouse. She loves red—red dragonflies resting on bamboo stakes, red wine in her glass, red flip-flops on her red-toe-nailed feet—and words that caress, tickle, irritate or beat against her soul. Please visit her at nataliemcnabb.com.
A lovely display of purple prose that I love so much . . .
Very original, very poetic. Had/loved to read is several times and will no doubt do it again.
Made my day in a way, because it’s original rhythm reminded me of jazz, think the right word here is syncopated.
Although the subject is almost banal, the way it is presented is anything but….could almost see it, but it felt like happening in slow motion so not to miss any detail.
Thank you Nathalie for this gem in words.
Jan
You boiled their story down to a few poetic sentences. True art at it’s best.
[...] ~ Back Hand Stories [...]
[...] ~ Backhand Stories [...]